BBC评出21世纪最伟大的100部电影，你看过几部？（附地址）

19

疯狂的麦克斯：狂暴之路

Mad Max: Fury Road

导演：乔治·米勒（George Miller）

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With Mad Max: Fury Road, George Miller dialed up the modern blockbuster to full blast. A cohesive vision with a structured journey built around themes of survival and endurance, the fourth entry in the dystopian franchise showcased what is otherwise the narrative and thematic drought within the Hollywood blockbuster machine. Without resorting to cheap cynicism and faux-grittiness, Miller zeroes in on the sensuality of the environments, the carefully crafted machines and scorched landscapes.
乔治·米勒用《疯狂的麦克斯：狂暴之路》燃爆了一颗现代商业大片的炸弹。这个反乌托邦系列的第四部作品不同于其他平铺直叙的好莱坞大片，而是用有凝聚力的视野和有组织的旅程讲述了生存和忍耐的主题。米勒没有用廉价的愤世嫉俗来讲故事，也没有刻意塑造坚毅果敢的人物性格，而是把注意力放在营造环境的刺激上，比如精心制作的机器、太阳炙烤的大地等等。

– Justine A Smith, Freelance, Canada

20

纽约提喻法

Synecdoche, New York

导演：查理·考夫曼（Charlie Kaufman）

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Synecdoche, New York is every deep-seated fear you've ever had, writ large: you've disappointed your spouse and failed your children, you've let your loved ones die lonely, excruciating deaths, and you'll never complete the work you were put here to do because you, too, will reach the end before you know it. And that, paradoxically, is what makes it so affirming. Kaufman's masterpiece isn't joyful, but it's bursting at the seams with wild ambition and brimming with empathy. It's a reminder that even at our lowest and darkest, we are not alone.
《纽约提喻法》讲的是我们每个人都有过的深层恐惧，显而易见：你的配偶和孩子对你失望，你爱的人孤独痛苦地死去，你永远完成不了自己的作品，因为你也快死了，而你自己还浑然不觉。但矛盾的是，这些恐惧反而是一种肯定。考夫曼的作品并不欢乐，而是充斥着野心和同情心，它提醒我们，即使在最失落最黑暗的时刻，我们也并不孤单。

– Angie Han, Slashfilm, US

21

布达佩斯大饭店

The Grand Budapest Hotel

导演：韦斯·安德森（Wes Anderson）

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The Grand Budapest Hotel is the 21st Century's farewell salute to the century before. It vaults backwards in time from today to 1985 to 1968 to 1932. We know Gustave's immaculate world is ticking towards destruction, first by war, then by decades of neglect. Inevitably, the lazy and impersonal present will win, mass-producing not just our hotels, but our cinemas and the blockbusters on their screens. Wes Anderson has spent his career fussing over wallpapers. The Grand Budapest Hotel ennobles his craftsmanship.
《布达佩斯大饭店》是21世纪向上个世纪的告别致敬之作。本片的时间轴从当下开始，之后跳跃到了1985年、1968年和1932年。我们知道，古斯塔夫的完美世界正一点点走向毁灭，先是因为战争，接着则是几十年的漠视。不可避免地，这个懒惰且毫无个性的当今世界会战胜过去，在当下，被大规模批量制造出来的不只是饭店，还有我们的电影院，以及影院里的大片。韦斯·安德森以整个职业生涯苦心孤诣地打造壁纸般唯美的镜头，《布达佩斯大饭店》使他精妙的技艺展露无遗。

– Amy Nicholson, MTV, US